
Things have changed in the world of Tilly and the Wall. The last time I saw them was back at the first End of the Road festival in September 2006, and I look back to then and the previous months with some nostalgia. Fun times, watching the Omaha quintet all over the place at a time before the the Baby Growl arrived to change our lives forever. Perhaps it was fitting that this was the first time Mrs Growl and I have been at a gig together since our lives were changed.
Then again, things haven’t changed that much. There’s still the dayglo exuberance (surely in parallel universe, most of the band would be children’s TV presenters). There are still the highly infectious tunes. And of course there’s the tap-dancing. The things that have changed are exactly what caused the problems tonight. If had to review this gig in less than 10 words, they would be: GET RID OF THE BASS PLAYER.
There are two extra members in T&TW now – a bass player and a drummer. They’re touring their new album (is it really called ‘O’ just because there’s a circle on the cover?) which is another fine addition to the Tilly canon. But from the start of this gig there’s a problem. The new beefed-up bass sound swamps almost everything else. Now I know that there’s an issue of bad sound mixing, and it does get a bit better as the gig progresses, but generally, the sound of Tilly cranking it up is just not fitting. Their songs are shiny pop nuggets that don’t benefit from The Rock.
Then there’s the vocals. What seems so sweet and harmonious on record is often strained and tuneless as the various singers shout out their parts. Now, I’m not talking about guitarist Derek Pressnall here – he can’t sing for toffee and should never be allowed to do so – it’s the girls that I expect more from. Particularly on a shocking cover of Erasure’s A Little Respect, which could have been so much better. But ultimately, I guess I should just relax a little. I suppose you don’t go to see Tilly and the Wall for a highly competent, slick performance, you go for FUN. And Fun was had. New songs were played. Old songs are played to much cheer. And there are smiles on faces, particularly during The Freest Man, Reckless and cracking new single Beat Control. So all in, a bit of a mixed bag of an evening. Still, I can highly recommend the new album, which comes with all tonight's creases ironed out.
mp3: Tilly and the Wall - Tall Tall Grass
mp3: Tilly and the Wall - Sing Songs Along
Tilly and the Wall myspace / website
Buy O and other T&TW releases from Rough Trade or emusic.



25 comments:
You've got it spot on there. The last two times I've seen Tilly the bass has been way too high, causing the girls to strain themselves trying to be heard.
The song that brought it home to me was the one they did for an encore. It started off with only the two singers & a guitar - sounded great. Then as more people joined in it got worse and worse.
The weird thing was everyone else seemed to be enjoying it.
Exactly - even at their instore at pure groove last month, it was generally disappointing for those reasons. Ugh. With all the noise and yelling of lyrics, it just doesn't sound as fun or carefree anymore.
Glad I'm not the only one. The quieter moments were definitely the best. I groaned when the bass player came back on stage.
I agree with some of your points.
- Bass was definitely too loud and with added drums, vocals were often straining to be heard.
- I can't stand Derek's vocals either.
- They've lost a bit of their magic since I last saw them.
BUT I still really enjoyed the show.
What did you think of Slow Club?
I agree with all of your points, especially the last one. The first time I saw them at the Buffalo Bar back in Feb 06 will remain in my mind as one of my most magical gig experiences of recent years. I think I'll always compare their performances to that, and they'll never be as amazing.
That said, I did still enjoy the ULU gig in places. The Freest Man, Beat Control and some of the quiter moments were all fantastic. Just like you say, the same magic isn't there.
Oh, and by the way, I missed some of Slow Club's set, but I liked what I saw and heard.
What a fine day! Let’s talk about UGG Boots’ history today.
From Australia's Official Dictionary: The Macquarie Concise Dictionary - ugg boots / Australian 100% merino sheepskin lined boot. Also called ugh boot , ugg boot.
Did you know that Australian Sheepskin Ugg boots have always been called Ug, Ugh or Ugg boots and have been made in Australia for almost 200 years? "We always called them Uggs, Smith says, "long before it was a trademarked brand." Brian Smith, Founder UGG Holdings, Inc. Los Angeles Magazine October 1st, 2001
The Ugg Boots Story
The original Ug Boot. "Ug," (also spelled "Ugg" and "Ugh" in Australian dictionaries) is not a brand name but an age old generic term for this style of Australian-made sheepskin boot. In Aussie slang, the Ug name is short for "ugly." In terms of comfort, however, the Ug Boot is a thing of beauty. The softness of the Australian Merino sheepskin produces a boot with a snug, cozy, form-fitting feel that’s more like a sock than a shoe, yet it’s rugged enough for outdoor wear. The fleece lining has the astonishing property of providing year-round comfort. In cold weather, the plush fleece provides an insulating layer of warmth by trapping your body heat, much like goose down does. But in the heat of summer, the natural fibers of the fleece actually cool your feet by wicking away perspiration.
Growing Up in Uggs
By the 1970s, in Perth, the largest city on Australia’s West Coast, Ugg boots were being manufactured by several small companies in the area. Perth has much the same climate as Southern California and is also a haven for surfers, whom Aussies call "surfies." And it was the community of surfies at the great surfing beaches at Margaret River near Perth who first adopted Ugg Boots as their footwear of choice and made them a symbol of the Aussie surfing lifestyle.
Ug Fever Spreads
From the beaches of Western Australia, Ugs were soon seen on the feet of East Coast surfers from Brisbane to Sydney. And it wasn’t long before some of these surfers -- the ones who traded their surfboards for skis in the winter -- found that their Ugg Boots were just as at home in the ski resort areas of the Snowy Mountains as they were on the warm sands of Sydney’s Bondi Beach.
It was Aussie surfers, traveling the world in search of the perfect wave, who first introduced their mates in Southern California to the pleasures of the Ug Boot. Ugs soon became a cult fashion among those L.A. surfers who could depend on a buddy ‘down under" to send them a pair of boots.
Ug Essentials
Today the Ug "secret" is out. You’ll find these versatile ugg boots to be in fashion on beaches from San Diego to Santa Cruz and in ski resorts from Tahoe to Vail. And today, you don’t have to "know someone" in Australia who will send you a pair, since there are now a number of companies importing boots of this type. But, if you want the genuine article, you do have to know what you’re looking for because, no matter how they spell it -- Ug, Ugg or Ugh -- there are several importers with look-alike products that fall short of being the real thing.
If you want genuine Ugg Boots -- well-made boots with all the qualities that made the original so desirable -- you’ll want to make sure that.....
The boots are made from 100% Australian Merino Sheepskin. This will ensure your purchase is made of the finest Sheepskin hide avaliable.
Please Note:
Beware of very cheap imitations... quite a few boots on the market are made of cow suede with sawn on sheepskin inner fleece off cuts.... Don't take the chance and purchase these boots.... the external cow suede does not breath like 100% sheepskin does and will leave you with a smelly sweaty boot... But I must say these boots do look like the real thing but just don't cut the mustard when compared to authentic ugg boots
What do you think after you reading this UGG Boots history? Just hope you’d like it, see you next time!
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